singing to a certain level is a learn-able talent...
This requires practice like all other forms of music...

The best advice your singer can get is to learn how to sing the song properly and in key....
Thats just the basics and not too much to ask...
If that cant be done, maybe its time to pick up a guitar....

G.

ps
remember the thread about the guy who did a jazz album playing piano and never learned how to play the piano.
Seems to me you are trying to do the same thing with the hopes that you can fix it in the mix...

 

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The best thing you can give him is encouragment, especially seeing he is now quite self-conscious about it. Building a person's self-confidence usually inspired them.

 

I'd suggest that since he is a friend, and since this is an "an effort to archive some of the really good personal and real folk songs",
just go with things as they are. He may simple not be able to change, and any efforts in that direction may just be add an abrasive (between friends)
to what should just be a smooth, natural process.

Capture the songs' character and intent type of thing.

 

Make sure he has a good headphone mix. Perhaps a little reverb, but not too much or he will likely go off pitch.

 

i would start by using a pop filter to help control some of the breath noises......i like to use an parametric eq with a notch in the 1k-1.5k range to smooth out a vocal track.
as others have mentioned it seems you are trying to catch some history.......don't worry about creating a product. have fun.

 

I'll try the notch filter idea. I never had reason before to run effects while recording so they would be audible in the headphones. Looks like i need to learn a new trick.

 

Here's my advice for what it's worth. What works for me is pretty high volume in my headphones, so I can hear every detail even when singing quietly, and semi-open headphones so I can still hear a little of my own voice 'live' through the air. Alternatively, but I don't like this as much, use closed back headphones but keep one can off or away from an ear. I know it may bleed through a little, but it sounds like you should record his voice and guitar simultaneously and not worry about tracking separately anyway.

I like what others have said about taking what you get, not pushing ways to improve technique (it will take too long to learn and use naturally) and just capture the history that drew you to the project. Like I said, just give him some volume so he can really hear what he's doing, and let the tape run. Or for that matter, it it makes him more comfortable, just forget the headphones entirely and record live. You may already be doing this.

Lastly, and most importantly, a little beer or whiskey beforehand can really settle nerves and make for a much better session. I got that trick from my friend Dave who always poured a shot of tequila out for us before tracking anything.

 

It's a fine line between building confidence and decreasing ability. For me, both alcohol and reverb in the monitors boost confidence, but reduce the ability to actually produce accurate pitch. Finding the sweet spot is the trick.

But being able to hear yourself is always a good thing.

 

It's a fine line between building confidence and decreasing ability.

I agree. That's why I advised a little alcohol.

 

It seem that some inexperienced singers don't feel comfortable using headphones. If you find that is the case try reversing the polar pattern on one of your studio monitors and place the microphone at the exact same distance from each monitor, this way the music cancels in the mono mic and the voice stays unaltered.

 

Is he open to lessons?

 

 

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A lot of my favorite singers have probably been asked that at one time or another - Bob Dylan, Neil Young, Lou Reed, Tom Waits, Johnny Cash, Leonard Cohen, Jeff Tweedie, Nick Cave, Woodie Guthrie, Steven Malkmus, David Byrne...

Nice, a list of 11 people who got famous without vocal lessons!

But this guy is having a hard time dealing with his friends' inability to sing, so maybe it's actually a solid suggestion here. Also, at least half the people you mentioned can actually sing in key, which IIRC this guy can't

 

I have a terrible time singing and really dont like it, but when i write a song, and do all the music i feel to make the song my own, i need to also sing it.

So for me , i have days were i dont feel i can sing at all, so i wait for a time i think i can put the energy into it....Like any instrument, the more you practise the better you should get.. i dont like singing so i dont practise...

When the day comes, i will sing 1 track with a bit of reverb, if there are any parts that do not sound as good as i can do, i do that area of the recording over..I do not record the whole track over unless its all bad. I then record a second track and sometimes a 3rd track and blend them all together , it usually turns out exceptable , but getting there is not easy for me, the last time i did a song,i spent over 4 hrs on vocals trying to get it as good as i could. The end result was still not as good as i wanted it to be, so i may try again..if i could enjoy singing, i would practise everyday and it would become easier.

 

I had a similar situation not long ago. The best thing we figured out was to for him to nail one section on guitar then cut and paste it through the song. Without having to concentrate on getting the guitar and vocal correct the vocal was much improved. You could see it in the wave file. Much more even.

 

I am taking note of everything being said! Our singer can be really good or really bad! Consistency is lacking! Last rehearsal she sang Back in Black and it was really screechy! We decided to make this song our "own"! She did a rap version of it, yes a rap version and it was a success. Angus would be mortified! It really sounded good! I think because she did the rap version just for fun she was more relaxed but we're sticking with it!

 

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Whether a 1k - 1.5k notch (or any other particular EQ setting) will work is entirely context dependent. Depending on the voice and the mic you are using, you could very well be better off with a bump at 1k - 1.5k, or something else or nothing at all. I have no problem with the concept of EQ'ing during tracking, but if you're not 100% sure, best leave that to the mix.

i was suggesting eq in the mix....thanks....ets

 

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He was taking about applying it while tracking. Either way, it's still completely context specific.

i thought he was referring to the reverb suggestion when he mentioned fx while recording. he did not include my post in his comments i thought he was summarizing comments to that point.

cheers
ets

 

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First post says he can't control his pitch. Most of your list doesn't have that issue. Also the material is 30 years, he didn't say the vocalists age. It's a question worth asking.

 

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sometimes it's all those little imperfections that make a voice interesting and give it character. Make it too perfect and you've lost the unique qualities you were trying to capture. More practice, more confidence.
What this thread instantly made me think of was a band my son was in a while back with university trained vocalists, majors in music. Vocals perfect in every way, but nothing you would ever willingly listen to.

 

If you want to capture a piece of history you might not want to interfere with it and just record whatever there is... you can always use Melodyne during edition

 

Thanks for the ideas so far. My singer/songwriter is 58 yo, but not unwilling to work at it to improve. He put 40 years into the construction workers union, got hurt recently and has time to work on music now in a way he never had time for before.

I'm looking for technical solutions to make a weak vocal sound better but also singing techniques to teach that will help him sing on pitch and without explosive nasal expirations at the end of phrases or big inhales before a line.

 

It might be time to throw away a couple conventions people usually lean on.
You can't train someone to sing better. This won't be the last time you wish you had a better subject. The challenge that you will learn from is to make the most of whats there. You are in a good position to rethink your approach.
Don't forget that the best takes will only come from a vocalist that is comfortable and confident. Its up to you to capture that the best way you can while maintaining that comfort.
If the vocals are too breathy, move the mic. Direct the mic towards his forehead more, breathing should then pass under the mic.
If using headphones, you could run the guitar a little louder in his mix to persuade the vocals to be delivered a little more pronounced.

Just a couple ideas. Go with it, this is practice for you to make the best of whatever the situation is.