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Discussion starter · #42 ·
glad you are making progress.
the feedback loop may be moot now: some enjoy a switch to close or open the loop and call it a "tweed" switch
Interesting. I need to know all about this now. I will definitely research this and give it a shot. Will let you know how it turns out.
 
Discussion starter · #43 · (Edited)
Not sure if anyone is interested or not but just in case:

Sharing my parts list for this build...

ItemBrand/SourceCOSTSOURCE
Power TransformerHammond 291BX
$163.99​
Output TransformerHammond 1760H
$93.99​
ChokeHammond 194A - Choke - 4H, 50mA
$31.99​
Hammond 194A - Choke - 4H, 50mA
Reverb DriverHammond 1750A - Output Transformer - 25K, 8 OHM, SE, 3.5W
$46.99​
CabinetVeteran Guitars
$400.00​
Veteran Guitar Cabinets (see Facebook)
TubesPremium Package
$445.70​
Chassis +Boards, Doghouse Pan, Faceplates, Footswitch, Knobbies
$450.00​
MOJO - includes $75 shipping
Reverb TankMOD 4AB3C1B
$57.00​
Nextgen
Reverb Tank Bag17"
$20.99​
Nextgen
RCA Jacks
$10.19​
Legend 1258Eminence (client's choice of speaker)
$166.39​
ComponentsPassive components and hardware-NextGen
$355.00​
(Pots, jacks, switches, tube sockets, lamp, capacitors, etc.)

A big shout out to the folks at NextGen Guitars! They're a Canadian outfit located in Ottawa (Nepean). Reasonably priced components, outstanding customer service (I think the owner, Jonathan Beals is a GC member). I also have to acknowledge and pass along kudos to Derrick Bell at Veteran Guitar cabs (some of you probably know Derrick) for his great work on the blackface cabs he builds for me. He is kind enough not to chuckle at me when I ask him about my crazy design ideas.
 
Update: Breakthrough! And it WAS something simple!

The volume surge in the volume channel was caused by a bad tone cap. On a whim (to rule it out), I removed it and f'ing voila!!! Volume surge gone!

It's pretty funny that the $3000 amp build can get side-swiped by the $3 capacitor! :LOL:

Anyway, so, now to get these voltages under control and tweak the ground scheme to kill some of this blasted Deluxe Reverb hum. I have had success with this last on my Vibroverb builds (same circuit) so it's just a matter of arm wrestling and little tweaks to get this right. That said, I'm all ears if anyone has any ground scheme suggestions.

You can see what I have done here: power amp ground, preamp ground bus, reverb ground to reverb pedal ground lug, etc. Always open to new ideas.
Robinette offers some helpful reverb quiet ideas borrowing some of the innovations from the silver face era. My first suggestion is sticking a 12U7 in the reverb driver for starters.

I’ve also thought about a kill switch for the reverb and tremolo Via a push pull pot.

One of the best sounding off the shelf amps that I’ve ever had was the ‘64 handwired Deluxe Reverb. I sold it after a year of listening to the hiss coming from it. I figured I didn’t want to poke around it too much as I’d seen dozens and dozens of people complaining about the issue and how they eventually all returned the amp to sweet water after getting the “hiss is inherent” from Fender.

After building a few very silent amps, I have to say, the least silent is a Princeton reverb build. It’s still quieter than the Deluxe NR. I’m wondering what would happen if one were to split V1 and 2’s shared cathode and convert the 820 to 1.5k and add an i dependant 1.5k to V1’s cathode. Either way, it’s a part of the fun.
 
Discussion starter · #45 ·
After building a few very silent amps, I have to say, the least silent is a Princeton reverb build. It’s still quieter than the Deluxe NR. I’m wondering what would happen if one were to split V1 and 2’s shared cathode and convert the 820 to 1.5k and add an i dependant 1.5k to V1’s cathode. Either way, it’s a part of the fun.
Interesting. One of my next projects is a Princeton. I'd love to hear all about it if you ever go wandering down this path!
 
Interesting. One of my next projects is a Princeton. I'd love to hear all about it if you ever go wandering down this path!
The Princeton is a son of a bitch to build. But you’ve already built the Deluxe, so it will likely feel like a slightly easier build in comparison.

I also chose to use resistors and bypass caps that are 4 times the needed size on the Princeton. So I did it to myself. But it is a sweet little amp. If you really want to blow your budget out of the water, check out “soursound” transformers. I’m likely going to fire a set into my 5E3 at some point. I may try their output transformer in the Princeton. Hammond makes quality units, but I think the owner soursound is a little bit autistic and has more or less lost his mind and became a rocket scientist in order to recreate super accurate remakes of classic Fender output transformers. Worth checking out.
 
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Discussion starter · #47 ·
So, I'm still having issues with voltage.

I'm seeing B+2 voltage of 490VDC coming out of the doghouse and going to the reverb driver. This is definitely high since the 12AT7 at V3 is expecting to see ~410V. Any ideas why my B+2 is so high?

Incidentally, I've got 490VDC going to the plates in the power tubes (V6 and V7).

I'm at a loss here. Is it possible I have blown 10K resistors? A leaking or open cap? Any ideas?

EDIT: My mains are stupid high (126VAC)..
 
Discussion starter · #58 ·
Hold up. If I am doing this right, my readings are:

A=484V
B= 484V
C=380V
D=315V

Which would provide answers to your questions:

Vb - Vc / 10000 = 0.0104
and
Vc-Vd / 10 000 = 0.0065

And I am sure this must mean something. Hints as to what? :)
 
Discussion starter · #59 ·
I confess that I don't understand why we bother running wires in and out of the doghouse for B+2 since we could pull exactly the same B+2 voltage from the mainboard off of the choke. It seems like a silly exercise to me since it's B+2 no matter where you get it from. Is it to prevent interference on the long run to the V3 and V5 plates?

EDIT: Wife wants me to break for dinner. I didn't even realize it was that time!
 
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