Tone city ****** lime. This is supposed to be almost the same as a timmy and its in the smaller box. Most of the other clones use the same size enclosure as the timmy
I'm reading that it's based on a ts.Tone city ****** lime. This is supposed to be almost the same as a timmy and its in the smaller box. Most of the other clones use the same size enclosure as the timmy
I revived a thread on tgp where Paul C chimed in stating his is an original design. Everyone concurred saying his design was genius.Timmys are also based on a TS. And yes it can be made small.
Those same people will tell you a tag-board amp is 'PTP'. They hear something and they regurgitate.It's funny, when you read descriptions about Timmy, most say it is based on the TS design, but when you ask Paul C, it isn't even close.
I'm probably going to get a real one, since finding a small one seems impossible. The mosky won't cut it based on my limited research. I need the pedal to behave with my tweed champ, and the timmy is highly recommended. IMO, there's a big difference between sounding like a pedal and behaving like one too.Yes, a Timmy is a unique design from Cochrane and in no way inspired or related to a TS - except that they are both analog guitar pedals. If you understand how the Timmy's controls work, this becomes obvious. I even wonder how close any of those clones are - if the controls don't work the same, I don't think they're a clone.
Everyone talks about the Coolcat TOD V1 being a Timmy clone but I don't believe it is (I own both and I've A/B'd them myself). Maybe it is sonically similar but the controls don't work the same. Part of the magic of the Timmy is those controls and where they are inserted in the signal chain.
The Timmy is my favorite drive/overdrive pedal. And they same size as your delay and booster. You should just get a real one. They aren't even expensive by boutique standards.
Maybe buy a cheap analog mini-delay and use it instead of your larger one? I don't think they sound that bad (for $30) but you may be fussier than I wrt delays.I'm probably going to get a real one, since finding a small one seems impossible. The mosky won't cut it based on my limited research. I need the pedal to behave with my tweed champ, and the timmy is highly recommended. IMO, there's a big difference between sounding like a pedal and behaving like one too.
The reason I'm going for small is that I want to fit three small pedals in the back of the champ and out of the way.
So it's a ts with a different and more complicated EQ, a different clipping section, no mid hump and no buffers. I think anything from a Boss OD1 to a Souldfood to an OCD is closer. Every overdrive or distortion pedal has some things in common.There are some unique elements to a Timmy. But if you look at the schematic it's very similar to a striped down TS. He basically took away the buffers changed up the clipping section and added some simple eq.
Not bashing it at all. I'm sure it sounds great. And the importance thing is you guys enjoy it.
The good news is there are not a bunch of parts so it's a good candidate to miniuturize.
I've recently bought a TC mini HOF. I'll be getting a TC mini delay, and now I just need to line up the dirt.Maybe buy a cheap analog mini-delay and use it instead of your larger one? I don't think they sound that bad (for $30) but you may be fussier than I wrt delays.
And if you buy a Timmy, read the 1 pager instruction manual. His explanation of the control operations is excellent.
You're right. That is probably small enough. I'll likely end up with one, if I see it at a good price.Here is a ditto mini pedal on top of a timmy, not much difference
Ahhh, you want all mini-pedals. Gotcha. If you find a good small one for a reasonable price, let me know. I'd be interested in one, too.I've recently bought a TC mini HOF. I'll be getting a TC mini delay, and now I just need to line up the dirt.