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Discussion Starter #1
Cross post from me on Rig -Talk -
About 3 months ago I picked up a like new Suhr PT100 SE from reverb.
I play in P&W band at church, have a hobby basement recording studio, and too many musical projects on the go.
I play wall of sound , shoegazer stuff, anything rock, as well as some emotional/ textural guitar.

My initial feeling on this amp were favourable, however
it took me a few days to really dial it in how I like it.
I’ve had different Marshall amps in the past I thought this would be a variation on that, and it is, but also so much more.

Coming from using mainly Diezel amps I only have one big complaint about the PT100SE , that the presence, depth and feedback controls are on the back of the amp, annoying when you want to tweak it on stage.. or from your chair in the studio.

Other than that it has all the features you could ask for midi/ great loop/ bright switches/ feel control /3 channels…. a built in mosfet boost circuit that can be engaged on each channel etc..

The stock tube selection is bang on.
JJ 12ax7 in V1, Shuguang 12ax7 in the rest and JJ EL34L’s.
I resisted the fact that there’s a JJ tube in V1. I loathe JJ 12ax7’s in all my other amps. But after some experimenting I do admit John Suhr has it right with his tube selections.

I’ve gone through a lot of amps , maybe not as many as some of you other nutcases, but a good number.
Of all them the Diezels are the only ones I would miss on a daily basis. The Bogs and Wiz’s are noteworthy but I didn’t like them enough to justify keeping them.
I want my amps to be deep. I want to discover new tones and textures for years… otherwise honestly I just get bored of it.
That said , the Suhr is staying for a very long time.

I usually play PRS my #1 is a stock ‘01 SAS, also regularly play ‘94 & ‘14 McCartys and another SAS loaded with DiMarzios.
I’ve tried the amp with greenbacks , V30s and H30’s.
It works well with them all , but H30+ V30 combo is my favourite.

A rundown of the channels.

Ch 1 Clean -Reminds me of every Pearl Jam song ever -
There is such variance in the tones available here.
This channel is capable of crystal clean but only with the lowest gain settings, like 2 or lower,
Increase the gain and is has such a pleasant breakup mixed with a clear jangling bell like tone.
At higher gain settings it’s all out crunch overlapping with some of channel 2 but with a much different voice.
There’s a bright switch that adds top end and more pick noise.
Also a crunch switch that adds more gain.
It’s open and dynamic on all settings.

Ch 2 - Reminds me of a killer modded plexi- except it sounds great at a reasonable volume.
Think fine toothed saw type of drive.
This channel starts out hotter than you’d think , if you want Marshall like cleans the gain needs to be below 1.5
After that mayhem , there’s much more gain available than with a stock plexi. It can be, raw, open and cutting but it’s not difficult to control.
You can dial it in dark and smooth or dark and gritty. Bright and smooth with a pleasing percussion to every chord strike or bright and aggressive.
Basically if you like the character of the drive it can be shaped in a way you want.

Ch 3 -Builds on channel 2, tweak the character slightly, add some compression, and beefy low mids.
Think slow running chainsaw type drive.
There are copious amount of gain on tap here.
At lower settings it’s still crunch, percussive and open.
By mid gain power chords are fat and chunky with some compression.
With the higher settings leads become fluid , the touch response and feeling of push pull with the amp is remarkable.

The other stuff -
Each channel has a beautiful percussion once dialed in well, not the kind that smacks you in the face, more like tickles your ears.
The Eq is responsive and extreme settings are still useful , the depth control is not nearly as aggressive as some amps, but fun nonetheless.
The boost circuit is available on each channel , it adds a boost to the amps front end, increasing gain and tightening the amp.
The feedback control changes the feel, at lower settings it feels like a plexi at higher like a JCM 800.
The presence control has a wide range and I never felt the need for more than 6 with my cabs.

This amp is organic ,it feels alive under my hands and has this tangible depth to the sound, like multiple layers at once.
Simply inspiring, it makes me want to play more.

If you don’t want to consider this amp because it’s a signature edition, what I say is almost every amp has someone’s name on it , this one just happens to have two.
Mr Suhr and Mr Thorn you’ve created something special, Thank you!

My overall evaluation is ..
9.5/10
The only reduction is because there are controls on the back.
If tone was the only factor it’s 10/10.
If you play or enjoy anything other than extreme metal, I strongly recommend trying this amp out.
 

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Nice! Would love to try one out...ive heard petes vids...and have seen big wreck with them as well
Unfortunately, not in my price point at this time
Glad you like it!
 

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846 Posts
Congrats! I saw Pete do a demo in a local guitar shop and he used this amp...sounded amazing. Really most every tone you could want in an amp
 

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Cross post from me on Rig -Talk -
About 3 months ago I picked up a like new Suhr PT100 SE from reverb.
I play in P&W band at church, have a hobby basement recording studio, and too many musical projects on the go.
I play wall of sound , shoegazer stuff, anything rock, as well as some emotional/ textural guitar.

My initial feeling on this amp were favourable, however
it took me a few days to really dial it in how I like it.
I’ve had different Marshall amps in the past I thought this would be a variation on that, and it is, but also so much more.

Coming from using mainly Diezel amps I only have one big complaint about the PT100SE , that the presence, depth and feedback controls are on the back of the amp, annoying when you want to tweak it on stage.. or from your chair in the studio.

Other than that it has all the features you could ask for midi/ great loop/ bright switches/ feel control /3 channels…. a built in mosfet boost circuit that can be engaged on each channel etc..

The stock tube selection is bang on.
JJ 12ax7 in V1, Shuguang 12ax7 in the rest and JJ EL34L’s.
I resisted the fact that there’s a JJ tube in V1. I loathe JJ 12ax7’s in all my other amps. But after some experimenting I do admit John Suhr has it right with his tube selections.

I’ve gone through a lot of amps , maybe not as many as some of you other nutcases, but a good number.
Of all them the Diezels are the only ones I would miss on a daily basis. The Bogs and Wiz’s are noteworthy but I didn’t like them enough to justify keeping them.
I want my amps to be deep. I want to discover new tones and textures for years… otherwise honestly I just get bored of it.
That said , the Suhr is staying for a very long time.

I usually play PRS my #1 is a stock ‘01 SAS, also regularly play ‘94 & ‘14 McCartys and another SAS loaded with DiMarzios.
I’ve tried the amp with greenbacks , V30s and H30’s.
It works well with them all , but H30+ V30 combo is my favourite.

A rundown of the channels.

Ch 1 Clean -Reminds me of every Pearl Jam song ever -
There is such variance in the tones available here.
This channel is capable of crystal clean but only with the lowest gain settings, like 2 or lower,
Increase the gain and is has such a pleasant breakup mixed with a clear jangling bell like tone.
At higher gain settings it’s all out crunch overlapping with some of channel 2 but with a much different voice.
There’s a bright switch that adds top end and more pick noise.
Also a crunch switch that adds more gain.
It’s open and dynamic on all settings.

Ch 2 - Reminds me of a killer modded plexi- except it sounds great at a reasonable volume.
Think fine toothed saw type of drive.
This channel starts out hotter than you’d think , if you want Marshall like cleans the gain needs to be below 1.5
After that mayhem , there’s much more gain available than with a stock plexi. It can be, raw, open and cutting but it’s not difficult to control.
You can dial it in dark and smooth or dark and gritty. Bright and smooth with a pleasing percussion to every chord strike or bright and aggressive.
Basically if you like the character of the drive it can be shaped in a way you want.

Ch 3 -Builds on channel 2, tweak the character slightly, add some compression, and beefy low mids.
Think slow running chainsaw type drive.
There are copious amount of gain on tap here.
At lower settings it’s still crunch, percussive and open.
By mid gain power chords are fat and chunky with some compression.
With the higher settings leads become fluid , the touch response and feeling of push pull with the amp is remarkable.

The other stuff -
Each channel has a beautiful percussion once dialed in well, not the kind that smacks you in the face, more like tickles your ears.
The Eq is responsive and extreme settings are still useful , the depth control is not nearly as aggressive as some amps, but fun nonetheless.
The boost circuit is available on each channel , it adds a boost to the amps front end, increasing gain and tightening the amp.
The feedback control changes the feel, at lower settings it feels like a plexi at higher like a JCM 800.
The presence control has a wide range and I never felt the need for more than 6 with my cabs.

This amp is organic ,it feels alive under my hands and has this tangible depth to the sound, like multiple layers at once.
Simply inspiring, it makes me want to play more.

If you don’t want to consider this amp because it’s a signature edition, what I say is almost every amp has someone’s name on it , this one just happens to have two.
Mr Suhr and Mr Thorn you’ve created something special, Thank you!

My overall evaluation is ..
9.5/10
The only reduction is because there are controls on the back.
If tone was the only factor it’s 10/10.
If you play or enjoy anything other than extreme metal, I strongly recommend trying this amp out.
Thanks for the detailed post. I can’t imagine how many hours it took to come to some of your preferences/conclusions.

Cheers
 

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Premium Member
Joined
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9,883 Posts
I don’t know if Suhr has ever sold anything not great.

I’m using an older CAA od-100...and aside from a few quirks, I have a hard time parting with it. It’s been a battle between it and my bogner xtc Classic for years...and I just can’t pick. Fortunately, I haven’t needed the money.
 

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Premium Member
Joined
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64 Posts
I've got the original CAA PT-100. I've had countless amps and pedals in recent years, rarely keeping anything for more than a couple of months before continuing my search for amp perfection. I've had it for close to a year now, it's replaced all of my other amps and OD pedals. And I cannot see me getting rid of it any time soon. For me at least, it's perfect.
 
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