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I rearranged my studio over the last few days. I had to buy more cables as every amp needs an instrument cable from the De Lisle amp-speaker unit as well as a speaker cable from the amp's output to the unit and a speaker cable from the unit to each cabinet. It's so easy to swap amps and cabs now. With the built in load of the De Lisle, I can have 12 amps fired up and ready for its turn to be selected.

I also installed two more Celestion Creambacks in the 4x12 cab with no grill. It had a pair of EVMs and two Creambacks. My 5 watt '53 Champ sounds pretty good through that cab (and bumped up using the Fryette), lol!

My studio space looks like this now.

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FCS '59 Telecaster RI
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Wanted to send some pics of all the covers to Pierre & Nancy @ Coveramp so I hauled everything into the backyard. The little pedalboard cover is just a slipcover with cutouts so I can keep everything plugged in. I share my home office with my wife so I like to keep everything tidy.

I will say -- the Tone Master Deluxe Reverb really makes me hate lifting up my other amp (an old Dr Z Carmen Ghia in a custom cab). I don't think I'll be playing stereo outside the house.

A few pedalboard changes -- my Deco is out on loan but it'll be back on there soon. The little white pedal is a double fav switch made by @Granny Gremlin so I can access fav settings for the Dig and Deco. I also ordered a Skreddy Screwdriver Mini Deluxe that's still about six months out -- it's the same as the regular screwdriver I have there, except the trim pots are on top. I also have an Analogman modded Maxon OD9 on order that will probably bump the Plumes off, but I really have nothing bad to say about the regular Screwdriver or the Plumes.
 

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My amplifiers and cabs. Marshall Ori 212A, Marshall Ori 20C, Hiwatt Crunch 50R, Traynor DHX 112.

Sitting on top of the Hiwatt are the EH 5MM pedal amp with a Boss DS-1. On the floor, a Danelectro Texas Trouble overdrive. I use the Danelectro with the Marshall amp. The DS is used with the EH going through the Traynor cab. After different tries, the Marshall cab is mostly used with the Hiwatt. Interestingly, in this configuration, the amp functions at 4 Ohms with all three 12" engaged. It creates a very interesting sound since the Hiwatt 12" is, in my opinion, a Chinese copy of a Fane. That amp's clean channel is something to hear. It also takes pedals well. These new Hiwatts aren't easy to find in Canada. The only source seems a Hiwatt warehouse located in Toronto. It's accessible through Reverb. For extremely loud loving players, they make a head in the same series rated at 350W!
 

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My amplifiers and cabs. Marshall Ori 212A, Marshall Ori 20C, Hiwatt Crunch 50R, Traynor DHX 112.

Sitting on top of the Hiwatt are the EH 5MM pedal amp with a Boss DS-1. On the floor, a Danelectro Texas Trouble overdrive. I use the Danelectro with the Marshall amp. The DS is used with the EH going through the Traynor cab. After different tries, the Marshall cab is mostly used with the Hiwatt. Interestingly, in this configuration, the amp functions at 4 Ohms with all three 12" engaged. It creates a very interesting sound since the Hiwatt 12" is, in my opinion, a Chinese copy of a Fane. That amp's clean channel is something to hear. It also takes pedals well. These new Hiwatts aren't easy to find in Canada. The only source seems a Hiwatt warehouse located in Toronto. It's accessible through Reverb. For extremely loud loving players, they make a head in the same series rated at 350W!
HIWATT | Reverb
Hiwatt Crunch 350R Head 350W w/ True Spring Reverb | Reverb
 

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