Milkman said:
I disagree, no trem can match the stability, agility, and quality of a Petrucci Ernie Ball Music Man trem.
Milkman said:In general the Floyd Rose and derivitive systems are the best designs for tuning stability, regardless of style of play.
Tonally I think a skilled player can get pretty much anything he or she wants out of a FR.
I personally think the FR is one of the most significant developments in the evolution of the electric guitar.
It's a better mousetrap, plain and simple.
![]()
Dude first off congrats for make what I consider the best decision any man can make. Not only are you buying what I consider to be the best guitar (well if it was a seven it would be the best so second best :tongue: ) but you are also going to be part of a family that takes care of their customers. You are set for life. I've bought many used EBMM guitars and any parts I needed, I simply called customer service and, bang there it was in the mail free. Make sure you join the forums over there as wellne1roc said:Well this is great to hear!!! I will be ordering a Petrucci in the next month or two!!!!! I need a tremolo that will really hold out like a floyd rose. Are you 100% serious? I'm a big EVH/Vai fan so this would be helpfull info!! :banana:
No I wish I had the piezo, perhaps when I save up enough my next one will be one with the piezo, and yes the two bridges are exactly the same except for the piezo. Have you seen the new prototype?ne1roc said:Ha, thats funny!
I was originally going for the 7 string but after trying one out, I realized I have have enough problems with 6 strings. Is the piezo equipt trem the same? Is that what you have?
Milkman said:How many people intonate during EVERY string change?
Sorry man, but that's NUTS!!
There will be extreme cases where a set of strings is noticeably different than others of the same brand and gauge, but I have many things to consider in terms of the overall sound of both the guitars and the band. If you applied this level of attention to every important element of your music, you'd never emerge from the basement.
For the record, I do check my intonation every time I change strings. It takes a couple of seconds per string and if it needed adjustment I would simply do it.
I'm not knocking the MM system, just pointing out that many of the complaints about FRs are insignificant and well, irelevent.
You got that right, only because I have played, owned, operated, and worked on the different choices. Why the hell would I want to go back to a Floyd?Milkman said:When you say something like "there's nothing you can say to convince me otherwise" there's not much point in discussing it further.
As long as we are happy, that's all that counts!Milkman said:Because it's better, and nothing you can say will convince me otherwise?
Kidding of course.
The day I play a better system than an original FR, I'll buy it.
Well I was thinking about it a while back and they both definately have their pros and cons...I mean one downside of the EBMM JP trem is that you have to like the JP to have one, and unfortunately it's not for everyone, whereas the Floyd and it's licensee's can be found on all sorts of models. There I bet you'd never expected that response now did you...Milkman said:Exactly right.
I wouldn't state that the FR is the best, only that it is the best so far for my tastes.
Well I can play guitar on any night of the week, I can play hard or soft, heavy or laid back, with my GT-8 I can dial in almost any tone I so choose...shall I continue and describe my sex life, or is that far enough...:rockon2:MaxWedge said:Better than sex?
Not a Floyd anyway, but an EBMM JP, NO PROBLEM!:banana:Milkman said:I have never seen ANYone intonate a guitar between sets.