No question, he was brilliant.LOL
I guess when trussrods were a new-fangled thing, the thought of how to make them easily accessible wasn't a priority. "Hell, at least you can adjust it. Quitcher bitchin'."
Leo was a remarkably creative guy. Obviously, anyone who does as many inventive things as he did is bound to make a few mistakes. Vibrato / tremolo anyone?
I would imagine they doSo you’re saying that donkeys REALLY like heel-adjust truss rods.
Yeah, having access would be nice. I’m liking this ‘59 Strat so far, but it’s a pain to adjust the neck.I agree, unless they're exposed like on an EBMM or the new Elite series.
Buried so you have to remove the neck to adjust is dumb, imo.
Hoping that you only have to screw with it once is another issue.![]()
b-b—blasphemy!!!YES ...Leo Fender was a genius ...BUT
He did get the control plate on a Telecaster totally wrong...
G.
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Not only that, but what I don't like is that the selector switch is too close to the volume. Look at all that space between the two pots.He did get the control plate on a Telecaster totally wrong...
I've been staring at my strat trying to find the patience to do mine now for about a month....but heel-adjust truss rods suck donkey balls.
That is all.
I don't get that. I think it's perfect. Much better than the Strat's controls which get bumped all the time.YES ...Leo Fender was a genius ...BUT
He did get the control plate on a Telecaster totally wrong...
G.
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It's probably common knowledge, but using a capo at the first fret in order to keep the strings in place once fully detuned simplifies the neck removal part quite a bit....but heel-adjust truss rods suck donkey balls.
That is all.
Phyllis Dillers husbandWho`s Leo ???![]()
Yeah, the capo thing is the best solution if not changing strings (or if you need subsequent adjustments after the string change).It's probably common knowledge, but using a capo at the first fret in order to keep the strings in place once fully detuned simplifies the neck removal part quite a bit.
In the following video, Fender R&D guitar development director Chris Fleming shows a simple way to adjust the truss rod: he basically loosen the backplate screws a little and pops the neck backwards with the strings in place and under full tension. I wouldn't try this method myself though.
Naw, I love the tremolo on both my Strat and Solidac. Also remember, without the tremolo-equipped Stratocaster, we would NEVER have had mind-blowing solos like this guitar-god can produce:LOL
I guess when trussrods were a new-fangled thing, the thought of how to make them easily accessible wasn't a priority. "Hell, at least you can adjust it. Quitcher bitchin'."
Leo was a remarkably creative guy. Obviously, anyone who does as many inventive things as he did is bound to make a few mistakes. Vibrato / tremolo anyone?
I wasn't criticizing either of the effects, just the fact that Leo labeled them incorrectly on his equipment.Naw, I love the tremolo on both my Strat and Solidac. Also remember, without the tremolo-equipped Stratocaster, we would NEVER have had mind-blowing solos like this guitar-god can produce:
Ohhh, ok. Now I understand what you were getting at and I totally agree. Thanks for the clarification!I wasn't criticizing either of the effects, just the fact that Leo labeled them incorrectly on his equipment.
That 'tremolo' on your guitar is actually a vibrato (changing pitch, not amplitude). The 'vibrato' on his amps is actually a tremolo circuit.
I can't play Strats because I turn them down strummingI don't get that. I think it's perfect. Much better than the Strat's controls which get bumped all the time.