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I've decided to finally search out a playable set-neck, two-humbucker style guitar for under $500. I have a hunch I'm going to end up with PRS SE 245 or SE McCarty 594, but I was playing a couple Epi LP Standard 50s/60s today.
I was impressed. The feel is about what you'd expect at this price point: chalky fingerboard, very odd satin-like finish, and generally "cheap" all around. (To be perfectly frank, I've never liked the feel or playability of any LP.) I don't like the veneer. I much prefer plaintops in general.
The sound, on the other hand, was indistinguishable from the best R0-R9s I've played. Both 50s and 60s version were articulate enough to handle Mark Knopfler stuff. The 50s seemed to really want to play "Why Aye Man." No mud, no flab. The 60s was notable in its balance on the knee.
All this to say, Epi is in the running if the price were right.
General criteria of an "ideal" LP:
-Bluesbreakers/Live Cream articulate grind and snarl. Fast flurry of pentatonic with no drag.
-Knopfler solo albums/live shows articulate dynamics. He uses a volume pedal as a kind of bowing effect. The tone glides from the snappy, chunky clean to a very tight, woody, growl.
-good balance: no neck dive or sliding backwards off my leg while seated. I shouldn't have to hold it on my lap with my picking arm. That's exhausting.
-not over 8lbs
-no dry, chalky fingerboards. Fingernails on a blackboard.
-singlecut not important. This means SGs are in play, along with any PRS double cut (ie Santana).
I'm open to any brand, of the price is right. Epi, lawsuit MIJ, PRS, Vintage (Wilkinson brand), Sire, etc. Tone and feel are king. I got time. Trying to find a LP for a Strat player is nearly impossible.
This is what a good LP sounds like (for me at least):
I was impressed. The feel is about what you'd expect at this price point: chalky fingerboard, very odd satin-like finish, and generally "cheap" all around. (To be perfectly frank, I've never liked the feel or playability of any LP.) I don't like the veneer. I much prefer plaintops in general.
The sound, on the other hand, was indistinguishable from the best R0-R9s I've played. Both 50s and 60s version were articulate enough to handle Mark Knopfler stuff. The 50s seemed to really want to play "Why Aye Man." No mud, no flab. The 60s was notable in its balance on the knee.
All this to say, Epi is in the running if the price were right.
General criteria of an "ideal" LP:
-Bluesbreakers/Live Cream articulate grind and snarl. Fast flurry of pentatonic with no drag.
-Knopfler solo albums/live shows articulate dynamics. He uses a volume pedal as a kind of bowing effect. The tone glides from the snappy, chunky clean to a very tight, woody, growl.
-good balance: no neck dive or sliding backwards off my leg while seated. I shouldn't have to hold it on my lap with my picking arm. That's exhausting.
-not over 8lbs
-no dry, chalky fingerboards. Fingernails on a blackboard.
-singlecut not important. This means SGs are in play, along with any PRS double cut (ie Santana).
I'm open to any brand, of the price is right. Epi, lawsuit MIJ, PRS, Vintage (Wilkinson brand), Sire, etc. Tone and feel are king. I got time. Trying to find a LP for a Strat player is nearly impossible.
This is what a good LP sounds like (for me at least):