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My main gig for the spring is playing the Broadway musical, Fun Home, at the CAA Theatre in Toronto. I’m covering woodwinds and guitars for it.
The original woodwind book is flute/English horn/clarinet/bass clarinet/tenor sax. The original guitar book is acoustic, electric, 12 string acoustic, 12 string electric, nylon string.
The combined book I'm playing for the production is English horn/flute/clarinet/bass clarinet/acoustic guitar/electric guitar. Effects are minimal; all I need is wah and tremolo.
The acoustic I'm using is a BC Rico (not Rich!) RW-2a. It was made in Japan in the late 70's. It's equipped with an L.R. Baggs Lyric pickup. That runs into an L.R. Baggs Venue preamp/DI.
The electric is my Godin SD with EMG strat pickups. Stompboxes are a Korg Pitchblack tuner, Boss Auto Wah, and a Source Audio Vertigo tremolo pedal. The ZT Lunchbox is my monitor for rehearsal, but I may end up running direct with a Joyo American Sound as the amp sim.
Here's the cast on The View, performing Come To The Fun Home:
The original woodwind book is flute/English horn/clarinet/bass clarinet/tenor sax. The original guitar book is acoustic, electric, 12 string acoustic, 12 string electric, nylon string.
The combined book I'm playing for the production is English horn/flute/clarinet/bass clarinet/acoustic guitar/electric guitar. Effects are minimal; all I need is wah and tremolo.
The acoustic I'm using is a BC Rico (not Rich!) RW-2a. It was made in Japan in the late 70's. It's equipped with an L.R. Baggs Lyric pickup. That runs into an L.R. Baggs Venue preamp/DI.
The electric is my Godin SD with EMG strat pickups. Stompboxes are a Korg Pitchblack tuner, Boss Auto Wah, and a Source Audio Vertigo tremolo pedal. The ZT Lunchbox is my monitor for rehearsal, but I may end up running direct with a Joyo American Sound as the amp sim.
Here's the cast on The View, performing Come To The Fun Home: