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This is a friend's explanation of the difference between my Traynor YCV40WR and his Fuchs Overdrive Supreme, which is horribly expensive, but still makes me wonder why I waste so much time and money trying to find the perfect overdrive and distortion pedal:
"It is hard to say why the Fuchs is better other than to say basically it's just extremely responsive and very harmonically complex. It responds to the guitar's volume knob like nothing I've ever played before. Goes from BB King to Gary Moore just by twisting the guitar's volume. Wants to hold every note forever even on the clean channel. Hits harmonic feedback and infinite sustain every time with no effort at all. Cleans are really fat. Light crunch is really clear and jangly. Heavy crunch is huge and fat and singing leads are up the with the best of anything Gary Moore ever produced. Sounds great at low volume too. I've never felt like I want to hook an attenuator up to it. There really is a big difference."
"It is hard to say why the Fuchs is better other than to say basically it's just extremely responsive and very harmonically complex. It responds to the guitar's volume knob like nothing I've ever played before. Goes from BB King to Gary Moore just by twisting the guitar's volume. Wants to hold every note forever even on the clean channel. Hits harmonic feedback and infinite sustain every time with no effort at all. Cleans are really fat. Light crunch is really clear and jangly. Heavy crunch is huge and fat and singing leads are up the with the best of anything Gary Moore ever produced. Sounds great at low volume too. I've never felt like I want to hook an attenuator up to it. There really is a big difference."