I've always found that as far as pickups go, you have to make a compromise. The higher output you go, the worse the clean tone's going to be--I have a Gibson bridge pickup I pulled from my Jackson Soloist, with a huge mid hump in the sound--instant Van Halen under distortion... and a nearly unusable clean tone. I replaced it with a Jackson J-50BC pickup, with a lower, vintage output and a very clean, clear signal.
You wouldn't think that a lower-output pickup would work well for metal, but I find that it is much, much more useable--all you have to do is turn up the gain and volume a little bit on the amp. As far as I know, high-output pickups became the norm in the '70s, when amps were still non-master-volume clean beasts, and distortion was impossible to get without 'em. Today, though, you can get gobs of gain from a decent amp--and even more from a decent modeler like the Pod Live's, or the GT-10. You just don't need a really hot pickup as much as you did, especially if you want to keep a nice clean tone.
Paul Gilbert uses DiMarzio PAF Pro pickups, medium/low output and very clear sounds, to cut through the mix with a lot of gain, and he sounds phenomenal. The Seymour Duncan Full Shred is another pickup that's not quite high output, but with an EQ maximized for clarity. I would say those are pretty good bets for a great metal sound, moreso than output.
That being said, the Seymour Duncan JB is a great pickup. I haven't found the clean sounds on the ones installed in my guitars to be that great, though.
Wish I knew more about the effects, though, bud. I like the GT-10 for multieffects boards, but I've heard really great things about the PodXT Live's too.




LinkBack URL
About LinkBacks



Reply With Quote

Bookmarks